Premiere: Glide Magazine ‘The Dream’

GLIDE MAGAZINE PREMIERE: Starita ‘The Dream’ feat Christian Scott, Trent Park

From his collaborations with members of A Tribe Called Quest to Los Amigos Invisibles and Michael Franti and Spearhead, multi-talented artist and songwriter Starita has astounded worldwide audiences with his unique mix of electronic and acoustic instrumentations (drawn from his deep roots in dance, ambient, funk, rock, and techno music).

Read the full premiere here…

The Dream” is truly a collaboration between artists who managed to tap into the same musical wavelength and make something special.” 

The lush yet complex signature soundscape showcased within various artist collaborations have consistently produced jaw dropping, original out-of-the-box productions that dare to defy odds, break the ‘rules’ of music genres, rise vibrations, while offering a note of spiritual introspection.

“The Dream,” featuring acclaimed trumpeter Christian Scott aTunde Adjuah and soulful singer/songwriter Trent Park, is the fourth single release from Starita’s new compositional ambient, avant-garde, experimental album, The Wake Up Call, due out August 13th. The EP contains a body of work that expresses his journey of introspection across the various stages of the human experience (from openness and curiosity in childhood to pain, closure, resistance, and darkness in adulthood), leading to awareness, acceptance, and awakening on the search for peace and freedom. “Everything about this album elicits the awakening to our true nature and listening to ‘the Spirit,’” says Starita. The seven song collection showcases an intentionally open longer format that allows listeners time to drop in, access, connect, and flow with whatever emotions and memories that may surface throughout the sound journey.

Today Glide is excited to offer an exclusive premiere of the video for “The Dream,” a sure standout on the upcoming EP that showcases Starita’s unique and open-minded approach to collaboration. With delicate instrumentation that is enhanced by fitting visuals of serene settings, the song is a soothing journey into the idea of purification. There is an element of orchestral pop that is elevated through the enchanting jazz trumpet of Christian Scott aTunde Adjuah, who lets his instrument float beautifully over the sonic landscape. Trent Park’s vocals add a level of emotional power to the song, slowly building alongside the music to reach a cathartic release. “The Dream” is truly a collaboration between artists who managed to tap into the same musical wavelength and make something special. 

“This song digs down and stirs up deep rooted emotions in the body to be purged and cleansed from the consciousness. The sound design, structure and production was designed to capture that purification. With the explosive journey that we all experience as humans – individually and collectively – this purification outlet is necessary and needed. To be able to use sound art to provide that access point is a tool that I tap into and hope that listeners can benefit from as well. While considered the most emotionally charged song on the album, it is also very relatable. The vocal melody and chord progression quite naturally reflects the visceral quality of the human emotional experience,” Starita remarks.

Drawing inspiration and guidance from ‘Spirit’ along with the textural and emotional range of his influences, Olafur Arnaulds and Nils Frahm’s bodies of work, Starita created a dramatic, neoclassical, compositional ambient, cinematic sound design (a blending of acoustic with electronic elements and instrumentation with analog synths) on this track that holds the expansive range of emotions – from intense devastation to hopeful – artfully. “This very special feature from Christian Scott aTunde Adjuah’s trumpet solo adds a unique layer of emotional intimacy to the song. Trent Park also dropped right into the spirit of this track; eloquently channeled this painful melody and conveyed the intensity of the song beautifully through his recognizably rich and soulful vocal interpretation. In the same fashion, guitarist Robin Applewood captured the energy left behind by his departed friend, playing the guitar part on an old classical guitar that was left to him. It has the original strings that came with the guitar when he inherited it. So, there is an energy and vibe to the sound although most would say the strings are dead and need to be changed. This track demonstrates the power of a masterful collaboration; bringing forth the best that each has to offer. With each piece that is added by an artist, we are symbolically weaving our collective stories, uniting our energies. I don’t think there could have been a better group of collaborators to express this message and piece of art,” Starita shares.

“When Starita first approached me about this collaboration,” Scott says, “I instantly resonated with this track because of the message I felt behind the song. There was a deep yearning energy; need for one to express their love and aspirations and holding that in a certain light. The reference to ‘someday’ in the lyrics was hopeful and grabbed me. This is a message relatable to us all. I wanted to use this time, during the pandemic, while the world was ‘resting’ and ‘reflecting,’ to explore musically. Starita’s genre-blending style of music, combining electronic and live instrumentation intrigued me. Listening to Starita’s initial interpretation of ‘The Dream’ piqued my interest and I was drawn to creating a trumpet piece to go with it. I wanted to explore what we can do together. The music industry is not set up to foster ‘building together,’ so this was the perfect opportunity to do so. As a conceptualist and producer, I share Starita’s vision of ‘letting go, not thinking, and letting it flow.’ That was the basic premise that was agreed upon by all of the collaborators….just let the song come naturally with no force from the mind. Let the heart lead. With that, I listened intently and created a sound that was very specific for this track. Many have heard me speak about the ‘whisper technique’ which is a warm air technique that only a few of us use. The technique is basically using warm air and prioritizing your breath at the mouthpiece of vibration. The warmer air actually rubs the inner-workings of the brass a little bit differently, which gives more of a hazy sound. To be able to get certain phrases out while the core air is warming up, you have to learn to refine warming the air up in your diaphragm and feigning phrases from your chest air, or frogging. It is so interesting and rewarding to witness what we have created together. It is my mission to unify people via their musical and cultural voices by tearing down the sonic and social constructs that separate them. To me the idea of ‘genre’ is the same. It’s just an extension of that type of self-segregating and kind of linear thinking. Similarly for this collaboration or my work with Stretch Music, my stance is the same, in order to stretch music, you have to be able to stretch yourself.”

“After listening to this sound journey, I hope that the listeners felt cleansed, had a moment that they needed, and perhaps let go of some emotional pain,” Park closes.

Starita ‘The Dream’ feat Christian Scott aTunde Adjuah, Trent Park and Robin Applewood

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Julian Roy Joins Starita For Latest Single ‘Save Me’

Singer-songwriter, Julian Roy, known for his modern R&B/Neo-Soul sound, joins GRAMMY® /Latin Grammy recognized producer-artist Starita, marked for his unique genre-blending production style, to deliver a distinctive Lo-Fi Pop/Alternative/Electronic introspective collaboration. From vocals to production, Roy and Starita worked to create a free floating lush soundscape, intertwining melodies with counter melodies that played well off each other.  “While the lyrics are left intentionally vague, there is a touch of sadness to this song. We wanted to mimic that emotional roller coaster through sound; capturing a personal journey of ups and downs, when there’s nowhere else to go, our only choice is inward,” says Starita.

“The song is about choosing where to place our love and more specifically relying on ourselves for that love.  I’ve noticed in my own life I’ve been dependent on other people for love, instead of searching inward. I have done that introspective work. But until I stepped away from some really loving situations did I look in the mirror and realized I needed to dig deeper into myself, and ‘SAVE ME,’ says Julian Roy.

Unlike Starita’s prior collaborations showcasing harder, more explosive vocals, Starita put the spotlight on Julian Roy’s laid back vocals to draw the listener in. From production to delivery, this track carries the dynamic soundscape that fans have come to expect from Starita. Even though this is an electronic track, there’s a lot of focus on songwriting. This track, while huge in soundscape, is counterbalanced by Julian Roy’s mellow vocals and anchored with Hip Hop beats, Reggae bridge, and Dub elements. 

Recognized for Starita’s diverse collaborations with lead vocal powerhouses, this is the sixth track released as an artist following “Rules” featuring Jarobi of A Tribe Called Quest and vocalist Trent Park, “Lights On” showcasing American singer/songwriter, Trevor Hall, ‘The One’ in collaboration with R&B singer/songwriter Trent Park, “HUMAN” with the explosive vocalist/MC RyanNicole, and “Too Strong,’ headlining bi-lingual singer-rapper-songwriter of LatinX group BANG DATA  and Zion I Crew, which premiered via Billboard, Yahoo! Music, Magnetic Magazine, Pop Matters, and HipHopDX, respectively.

 

#DXCLUSIVE: Deuce Eclipse Delivers Bi-Lingual Brilliance On Starita’s “Too Strong” Single

September 25, 2019 | 8:00 AM

HIPHOPDX PREMIERE – Explosive bi-lingual MC Deuce Eclipse (Zion I, Bang Data) has joined forces with Grammy Award-winning producer Starita for a new single called “Too Strong.” The track effortlessly brings two cultures together and allows Deuce to flex his bi-lingual prowess.

“I’ve always been a bi-lingual rapper,” Deuce tells HipHopDX. “My music is about non-exclusivity. It’s for everybody. It’s music without borders. It’s a universal worldwide sound in the way that it combines the cultures that I’ve experienced — Nicaraguan, first generation American, Californian, Hip Hop rapper, bi-lingual artist  — and the message that comes through me.

“What’s resonant with me right now is going back to my Spanish roots and connecting with other parts of my community beyond Hip Hop — Spanish speakers, immigrants or just others that may not speak English in general. I want my music to be the voice for everyone in terms of what I do musically.”

Deuce adds, “‘Too Strong’ is about strength and positivity, in a way. In another way, it’s putting out there how we live around the system and survive in this country by uniting and coming together; being strong in our beliefs.

“As I look at my environment and the separation of families and what’s going on in the world, I work to balance the negativity that’s placed us and remind myself not to give up on humanity…at the end of the day, we are all good at heart.”

 

 

Deuce and Starita’s collaborative relationship stretches back years. In fact, Starita engineered Bang Data’s La Sopa album in 2012. Their chemistry continues with “Too Strong.”

“When the opportunity came up for ‘Too Strong,’ it just felt right to make this a bi-lingual track,” Starita explains. “Deuce’s ability to blend Spanish and English in lyrics is masterful. And considering that I love pushing the boundaries of genre-bending, collaborating with Deuce and making music that resonate across cultures is a natural progression.”

Both artists want fans of the track to feel good after hearing the song. It’s all about creating a mood.

“When fans listen to ‘Too Strong,’ I’d like them to feel that this music is timeless,” Deuce concludes. “I always like to create something that feels good but puts you in the mood. Making music is about the whole, not its parts. It’s not necessarily about the lyrics. It’s everything as one thing. It’s not just the voice.

“The voice is just one instrument. People forget that. I want people to realize that music is a vibration. It gets in where it fits in. There’s so many different vibrations in the world and this is just one of them.”

“Too Strong” serves as Starita’s fifth track as a solo artist, following “Rules” featuring A Tribe Called Quest’s Jarobi and vocalist Trent Park, “Lights On” with singer-songwriter, Trevor Hall, “The One” with R&B singer/songwriter Trent Park and “HUMAN” featuring Oakland-based MC RyanNicole.

 

Read the full premiere here…

#DXCLUSIVE: Starita & Oakland Powerhouse RyanNicole Join Forces For “Human” Single

August 29, 2019 | 7:00 AM

HipHopDX Premiere – During the UnderCover Presents’ A Tribute To A Tribe Called Quest event in San Francisco earlier this year, Oakland MC/singer RyanNicole nearly stole the show with her effortless rhyming style and powerful on-stage presence.

2x-GRAMMY®/Latin Grammy recognized producer, songwriter and artist Starita — who’s worked with artists such as Childish Gambino and A Tribe Called Quest — knows this. So naturally, he recruited the explosive talent for his new single, “Human.” The Hip Hop/Tech House hybrid bursts with a sharp uniqueness, simultaneously delivering plenty of heart and soul.

“This track is especially relevant in this divisive time with the most divisive rhetoric,” RyanNicole tells HipHopDX. “It’s a reminder that despite the stark differences, we are all the same. The song comes through me and emerges from the beat. “As an activist, black woman and Oaklander, I can identify with this track. Everyone can connect as humans.” The Queen of Everything, as she’s sometimes called, isn’t afraid to take risks and step outside the Hip Hop box.

“I accept opportunities like making this track because it allows me to challenge and stretch myself,” she says. “Through my work, I hope to inspire others to explore; believing that Spirit is leading us and to not living in a box. TRY! LIVE! This collaboration is an example of me working with a producer that people wouldn’t normally see me with.

“Having worked with Starita on the last UnderCover project, I personally witnessed his talent, respect for the creative process and openness to doing things differently. I wanted to continue this collaboration as he pushes artists to do things that are out of their comfort zone. And I value these creatively challenging experiences. The list of artists he’s worked with is impressive. I want to be a part of his A-list of collaborators.”

Starita jumped at the opportunity to work with RyanNicole. He’s also a fan of the song’s message. “This song speaks to what it means to be human, to be ok with the range of our existence — the dark with the light, high with low, left and right,” Starita explains. “And more importantly, to realize the oneness of it all.

“If we could, just for a moment, live in awareness, we would realize that we too are all part of this whole and together as one family.”

Starita adds, “I’ve stopped forcing making music and instead let myself be guided by the message of the song and in a way, channel the spirit the song conveys through sound. My process is usually to take a simple rhythm and melody and make it expand, grow, evolve into something massive; a complex soundscape.

“Using classical elements/instruments and incorporating it with electronic music, allows me to take the listener on a musical and emotional journey and tell the story sonically.”

“Human” is the fourth track Starita has released as a solo artist following “Rules” with ATCQ’s Jarobi, “Lights On” with Trevor Hall and “The One” with Trent Park.

Read the full premiere here…

 

HipHopDX Premiere: UnderCover Presents – A Tribute to A Tribe Called Quest’s ‘Midnight Marauders’

April 26, 2019 HipHopDX exclusively premiered the UnderCover Presents – Tribute to A Tribe Called Quest’s ‘Midnight Marauders’ album. Check it out!

HipHopDX Premiere – A Tribe Called Quest’s Midnight Marauders turned 25 last November, but the classic album is still celebrated no matter what day it is. Serving as ATCQ’s third studio album and follow-up to 1991’s The Low End Theory, the project bridged the gap between Hip Hop and jazz, much like Guru did with the Jazzmatazz series.

In honor of the Tribe masterpiece, the Bay Area UnderCover Presents collective has sewn together a tribute, the appropriately titled A Tribute To A Tribe Called Quest’s Midnight Marauders. 

Founder Lyz Luke explains to HipHopDX, “If there was ever a time to release a tribute album to A Tribe Called Quest’s ‘Midnight Marauders,’ that time would be NOW,” says Lyz Luke. “In order to do this right and fully represent ATCQ, I knew we needed to bring in Starita as music producer, based upon his deep production experience across a multitude of genres in addition to his relationship and work with Phife Dawg and ATCQ.

“Apart from this album being released digitally, this is the first time in the history of UnderCover where we will be releasing a double vinyl to commemorate ATCQ and Phife Dawg.”

The 14-track effort boasts appearances from 13 local bands from a wide range of genres, seven MCs, over 100 artists, nine engineers, five music studios and a vinyl pressing plant. Blackalicious’ Gift Of Gab, Lateef The Truthspeaker and vocalist Gina Madrid are just three of the many whose fingerprints are on the project.

“When Lyz first approached me to work on this project, I instantly knew there were some critical pillars that we needed to uphold in order for this tribute album to resonate,” Starita adds. “Let’s be clear. This work is sacrilegious. This is a tribute album, not a cover album. This is already a perfect album. There’s nothing to re-make.

“To introduce this classic record to new audiences, our goal was to pay homage by pulling together the best of the best artists to make an album of re-interpreted songs representing the full breadth of the imagination that is ATCQ’s music.”

In conjunction with the album’s digital release, the Yerba Buena Center For The Arts in San Francisco will play host to three shows May 16-18 that will incorporate elements from all four pillars of hip-hop: DJing, MCing, graffiti and B-Boying (breakdancing), along with the minimalism and free-form nature of jazz instrumentation.

The city has proclaimed that week “A Tribe Called Quest Week” and will present Phife Dawg’s wife and other family members with “PhifeDay.”

Read the full premiere here…

Check out the album here, grab the vinyl here!

PopMatters Premieres ‘The One’

The Grammy-recognized producer is gearing up for the release of his upcoming album with some other big names, including Jarobi White (A Tribe Called Quest) and Mamel (Los Amigos Invisibles). On his latest track, he’s teamed up with drummer and activist Madame Gandhi, vocal sensations Trent Park and Trevor Hall, and percussionist Christian Pepin of La Cuneta Son Machine fame.

On “The One”, Starita blends warm vocal interpretations courtesy of Park and Hall with a soundscape that relies more on building up tension. The juxtaposition feels naturally derivative of the producer’s unique background, showcasing multiple sonic and personal layers presented as a singular earworm that is sure to catch on with fans of hazy, summery synthpop.

Starita says that “the inspiration for this song stemmed from my wanting to create a piece that is reminiscent of the style of music that I listen to. So naturally, the song needed to have a deep groove, hits hard with live and electronic drums. The message is positive about deep love, connection, and partnership.

“There are so many scenarios in life that we go through; to have one person to call in every rise and fall is what this song is about. So, when it was time for the lyrics to come to life, my writing partner, Trent Park, and I asked the natural questions. Where do you go? What do you do? Who do you call if you are in need? These lyrics became the core of the song. We wanted that deep concept showcased in a pop, tropical soundscape.

“At the beginning, I had a vision of want a very specific female artist from an Israeli band to sing the vocals. All this flowed when Trent embraced the song and we arrived at the chorus which was big and explosive. At that point, it was clear that he needed to be the vocal lead. So while the song started out moody and was written from a dark place, Trent and Madame Gandhi gave it energy.”

Trent Park adds, “While the song has the element of thought in the lyrics, it also makes you feel good listening to it. It stands alone as a beautiful song, but the production takes it to another level. With the production having elements of Latin flair, tropical house style bass line, with pop centric topline, it appeals to a larger audience. We are very proud of the collaboration and excited to see our fans embracing it.”